Yet, although Adamma looks like a contemporary woman, her flashy patterned body suit evokes not only current international fashions but also the bright, multicolored applique costumes worn by. ![]() ![]() 5).Īdamma, on the other hand, has a tan face mask with smooth, naturalistic features accented by painted eyeliner and lipstick rather than uli designs, and she wears a long plaited black wig hung with colorful plastic beads rather than a maiden spirit's crested hairstyle. The masker's body suit is typically made of heavy black felt as the foundation for densely appliqued patterns cut from commercial cloth in vibrant colors such as green, yellow, pink, and orange (Fig. Their black hair and curvilinear facial designs contrast with and complement the oblique white curves that define the planes of the face (Fig. Most maiden spirits have complicated arched or mounded hairstyles adorned with coiled plaits and combs. Faces are often patterned with black designs that recall indigo body painting known as uli. what was already confirmed to viewers when we saw his ex (yikes): Malcolm aint shit. Some exhibit a closed mouth, while many others have flat, narrow lips that draw back from clenched teeth. See the Are You The One Season 2 Cast Today Back in March 2017. Maiden-spirit masks have sharply defined, often arched noses (Figs. Obi, personal communication, 1994 Cole & Aniakor 1984:121). For the Igbo, whiteness is associated with coolness, control, and benevolence, and is often considered a female attribute (E. (1) Those masquerades often incarnate female ancestors of their patrilineages, and their white faces indicate their ghostly quality as well as their beauty and purity. Maiden spirits customarily appear in village festivals in performances that variously incorporate dance and narrative. In many ways Adamma is an innovation that has broken with the maiden-spirit tradition as much as it has partaken of it. Usually an annual event, the state-sponsored Mmanwu Festival, held in a stadium in Enugu, celebrates local masking traditions and heralds the reinvention of masking in contemporary Nigeria. This was Adamma, a contemporary Igbo maiden spirit performing in the 1993 Mmanwu Festival. Finally he came to rest on a low platform and seated himself demurely with his legs drawn closely to one side, posing for the cameras as though for a fashion shoot (Fig. The masker dipped his shoulders and snapped his fingers, then began to dance in a virtuoso women's style, with rapid footwork and controlled arm and hand gestures, before breaking off and resuming his previous sauntering dance. ![]() Deep yellow chiffon ruffles encircled his shoulders and neck and were complemented by a ruffled pink, yellow, and green miniskirt and white polyester gloves. The masker was a tall man-more than six feet in height-wearing a body suit of patterned metallic cloth in red, green, and gold. The wooden mask was painted the color of cafe au lait, its glossy surface accented by painted features: eyes rimmed with heavy black eyeliner and a red-lipsticked mouth. A performer wearing a large mask of a woman's face looked out flirtatiously from beneath a set of swinging black plaits hung with beads and topped with a brilliant yellow chiffon head-tie arranged at a haphazard angle.
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